2015] THE ZOMBIE FIRST AMENDMENT 1147
entertainment industry interests also predominate in international
trade negotiations. As a result, and despite its official position to the
contrary, the United States Trade Representative regularly advan-
ces proposals in trade negotiations that go beyond what U.S. copy-
right law would require, and uses its annual Special 301 report to
name and shame countries that have resisted those proposals (or for
other, political reasons).
91
Meanwhile, in the legislative arena, the rhetoric has begun to
shift in a way that nakedly acknowledges the real interests at stake.
Industry associations that used to bring individual authors to testify
before Congress now send their own officials, who make arguments
about distribution incentives, trade balances, and gross national
product.
92
(The Golan majority cited this too as ineluctable reality.
93
)
Powerful and well-connected new organizations such as the Copy-
right Alliance boast membership lists consisting of entertainment,
91. For discussion on the uses and abuses of the Special 301 process, see Gabriel J.
Michael, Special 301: Is It Effective?, T
O PROMOTE THE PROGRESS? (June 5, 2014), http://
topromotetheprogress.wordpress.com/2014/06/05/special-301-is-it-effective/ [http://perma.cc/
MCX5-FHN9]; Gabriel J. Michael, Special 301: The Politics of Listings, T
O PROMOTE THE
PROGRESS? (June 12, 2014), http://topromotetheprogress.wordpress.com/2014/ 06/12/ special-
301-the-politics-of-listings/ [http://perma.cc/3CBQ-PXXD]. For discussion of industry influence
in trade negotiations, see Margot Kaminski, The Capture of International Intellectual Property
Law Through the U.S. Trade Regime, 87 S.
CAL. L. REV. 977 (2014). For a graphical represen-
tation of the imbalance, see Christopher Ingraham & Howard Schneider, Industry Voices
Dominate the Trade Advisory System, W
ASH. POST (Feb. 27, 2014), http://www. washington
post.com/wp-srv/special/business/trade-advisory-committees/ [http://perma.cc/7H
DQ-E8D3].
92. Compare The Copyright Term Extension Act of 1995: Hearing Before the S. Comm. on
the Judiciary, 104th Cong. 55-58 (1995) (statements of Bob Dylan, Don Henley, Carlos
Santana, and Stephen Sondheim), and Pre-1978 Distribution of Recordings Containing
Musical Compositions; Copyright Term Extension; and Copyright Per Program Licenses:
Hearing Before the Subcomm. on Courts and Intellectual Prop. of the H. Comm. on the
Judiciary, 105th Cong. 27-29 (1997) (statement of Julius Epstein, screenwriter of
“Casablanca”), with The Role of Voluntary Agreements in the U.S. Intellectual Property
System: Hearing Before the Subcomm. on Courts, Intellectual Prop., and the Internet of the H.
Comm. on the Judiciary, 113th Cong. 12-25 (2013) (statement of Cary Sherman, Chairman
& CEO, Recording Industry Association of America), and Music Licensing Under Title 17:
Hearing Before the Subcomm. on Courts, Intellectual Prop. and the Internet of the H. Comm.
on the Judiciary, 113th Cong. (2014) (statement of David Israelite, President & CEO, National
Music Publishers Association), available at http://perma.cc/DCK7-V3XE.
93. Golan v. Holder, 132 S. Ct. 873, 889 (2012) (“Full compliance with Berne, Congress
had reason to believe, would expand the foreign markets available to U.S. authors and
invigorate protection against piracy of U.S. works abroad, thereby benefitting copyright-
intensive industries stateside and inducing greater investment in the creative process.”
(citation omitted)).